Naija Favorite music – The Sound Of Nigeria. For all those individuals unfamiliar with Naija Music – this is the sound emanating from your Nigerian Music scene. African favorite music is, around the whole, as diverse since the cultures found through the continent with every region enjoying its very own unique style of music associated with an array of instruments many Westerners are unfamiliar with.
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Nigerian Common music includes everything from Folk Music to much of the Popular Music found throughout the world. There are numerous indigenous and ethnic peoples in Nigerian – therefore it must not be surprising that each ethnic group enjoys its own unique common music flavour and instrumentals, poetry and music style.
Did you realize, as an example, that traditional music seen in Nigeria is closely connected to its agriculture, with certain instruments not able to be played during various seasons? Labour songs really are a common type of indigenous Nigerian common music which helps to keep the rhythm of workers in fields and also the river canoes (think slave songs of the Deep South).
The history is frequently told concerning the mother cheetah who comes back home through the hunt to discover her cubs have been trampled to death by elephants. Knowing that she actually is no match for such giants, she blames and kills a herd of goats. Similarly, when a team of Kenyan musicians took towards the streets last week calling at a lower price Nigerian and Tanzanian favorite music, these were killing goats. The elephant in cases like this is history. However, not even history is really a match for innovation.
It’s funny, nevertheless the country music star Kenny Rogers can come to Kenya today, charge an arm and a leg, and play per month of sold-out stadium gigs. Yet his heyday was in the ‘80s. The same holds true for top-tier Nigerian acts. Their time, however, has become. Kenya seems predisposed to preferring the foreign, the exotic, the western. At the chance of being charged with talking about ‘that old trope,’ all of it began with all the erosion in our culture once the colonialists came. Colonialism eroded Kenyan culture I daresay a lot more than it did in West Africa, in Uganda, in Tanzania. Kenya was a settler state. The Brits had no plans of going anywhere. Ever. As well as in their assistance, and under duress, we threw the culture baby out with the pagan bath water and planted the Church as well as the Union Jack over the scene from the crime dressed up in mandatory, state-issued calico cloth threatened through the both mental and physical whips of our own settler masters. So when the new government in independent Kenya clamped upon the Funk movement in the late 70s along with all the other artistic expression, threatening and jailing academics inside the universities and strangling the media, we shrunk into our cocoons, allowing ourselves instead to become satiated and sedated from the likes of ABBA, The Bee Gees as well as the Beatles. Homegrown innovation have been dealt a blow that could take us decades to recuperate from. I had been born middle class (and English-speaking) within the ‘70s. My predilection for all things Western was established at the start of life. I would personally be irritated, nay embarrassed, when I’d get back home from school and locate the housekeeper blasting ‘that shady Rhumba.’ Once I began my well-known music career inside the 90s there weren’t many Kenyan musicians to appear as much as. Anybody who had were able to record anything had been condemned by society to dying, drunk or living poor, a consequence of ‘loose morals and bad choices.’
I’m always slightly embarrassed when I introduce myself to folks I meet around the continent. I’m ‘Eric,’ while the South Africans are ‘Kgomotso’; the Nigerians are ‘Olusegun.’ Even whilst the Tanzanians may be ‘Damien’- pronounced ‘Da-mi-YEN’- they speak Kiswahili with your ease and fluidity having studied subjects like Biology inside their national language. The Kiswahili language rolls off their tongues like honey for the easy beat of Bongo Flavour, as close as possible reach Zouk singing on dry land. As a result, in Tanzania, American Idol loses pride of place to Project Bongo, possible show concentrating on homegrown talent. Conversely, urban Kenyans get so far as Sheng, a hybrid of Kiswahili and vernacular ipebrc so diverse that kids from estates separated by as low as a highway have different names for the same thing. Sheng dictionaries become obsolete by the time they visit press, due to the rapidity within the change of vocabulary. A Sheng speaker can date you to definitely inside a year of your birth, locate your home to in a street through the word you use for ‘car’ or ‘mobile phone.’ Inside the rural areas, Kiswahili is just as foreign as Greek, and is also spoken only by those who may have picked it at school or by those ethnicities whose ethnic language shares a typical Bantu base with Kiswahili, similar to that between Italian and Spanish. We claim to have a national language. Listen again.